{"id":6402,"date":"2024-07-01T13:26:00","date_gmt":"2024-07-01T10:26:00","guid":{"rendered":"https:\/\/jewelleryinuae.com\/?p=6402"},"modified":"2024-10-09T10:32:55","modified_gmt":"2024-10-09T07:32:55","slug":"types-of-stone-settings-in-jewelry","status":"publish","type":"post","link":"https:\/\/jewelleryinuae.com\/sk\/types-of-stone-settings-in-jewelry\/","title":{"rendered":"Typy nastaven\u00ed kame\u0148ov v \u0161perkoch"},"content":{"rendered":"<div>\n<p>The jewelry industry has a centuries-old history. During this time, craftsmen have invented a huge number of methods for setting stones in settings. As technology developed, they became more and more complicated. Today there are more than 50 methods of setting by types of settings. Let&#8217;s try to understand this variety.<\/p>\n<p>There are 4 main groups of stone setting types: bezel setting, prong setting, corner setting and special setting.<\/p>\n<h2>Bezel setting<\/h2>\n<p>The group of nesting settings includes two subgroups: bezel settings and bezel settings.<\/p>\n<h3>Blind frames<\/h3>\n<p>In a blind setting, the stone lies in a blind nest and has no access to light from below. It is held in place by vertical walls whose edges are pressed against the stone. Most often, blind setting is used to fix opaque stones and inserts. The advantages of this type of fixing: the stone looks larger, also this method of fixing helps to camouflage cracks on the girdle of the stone. Transparent stones in this setting look brighter due to the reflection of metal in the inner part of the stone. If it is necessary to add light, often use a cut or openwork setting: in this case, vertical walls are cut for more illumination of the stone.<\/p>\n<p>Varieties of blind frames:<\/p>\n<ul class=\"my-options\">\n<li><strong>Justified setting.<\/strong> Deaf frame-cup, made of metal with a thickness of less than 1 mm. The base has a reduced diameter. After fitting, the stone is inserted into the frame and fixed on the support girdle by a particularly precise alignment.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f4ccace5.png\" alt=\"Figure 1. Preparation of the aligned setting for stone insertion\" width=\"200px\" border=\"0\" \/><\/p>\n<h6>Fig. 1. Preparation of an aligned setting for inserting a stone<\/h6>\n<ul class=\"my-options\">\n<li><strong>Cut setting.<\/strong> A type of a blind setting, on the surface of which a through ornament is applied.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f4d2c7a6.png\" alt=\"Fig 2. Split frame\" width=\"200px\" border=\"0\" \/><\/p>\n<h6>Fig. 2. Cut setting<\/h6>\n<ul class=\"my-options\">\n<li><strong>Openwork setting.<\/strong> A blind frame divided by an openwork insert and connected by soldering.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f4d70ad0.png\" alt=\"Fig 3. Openwork frame\" width=\"200px\" border=\"0\" \/><\/p>\n<h6>Fig. 3. Openwork frame<\/h6>\n<ul class=\"my-options\">\n<li><strong>&#8220;Gypsy&#8221; tack.<\/strong> A variant of the blind setting, in which the stone is &#8220;sunk&#8221; in the metal almost completely. Fixation is realized by rolling an additional layer of metal on the edge of the stone.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f4db5507.jpeg\" alt=\"Fig 4. Rings with gypsy setting\" width=\"400px\" border=\"0\" \/><\/p>\n<h6>Fig 4. Rings with gypsy setting<\/h6>\n<ul class=\"my-options\">\n<li><strong>Flush setting or lapped setting.<\/strong> This is another method of setting a stone deep in the metal. A thin metal band around the perimeter of the stone holds the stone in place. The flush setting is often used for setting diamonds.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f4e10503.png\" alt=\"Fig 5. Stone inlay with flash bonding\" width=\"600px\" border=\"0\" \/><\/p>\n<h6>Fig 5. Inlaying a stone in a flash setting<\/h6>\n<h3>Rim settings<\/h3>\n<p>Rim settings are more often used for mounting transparent and translucent inlays. The stone in it rests on a support band, which is located on the inner side of the setting and is fixed by pressing the metal (rim) around the perimeter. Due to the fact that the light penetrates from above and below, transparent and translucent stones play especially brightly in the bezel setting.<\/p>\n<p>Varieties of rimmed frames:<\/p>\n<ul class=\"my-options\">\n<li><strong>Prefabricated rim setting.<\/strong> A setting for several stones.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f4ebb1c1.png\" alt=\"Figure 6. Prefabricated rim frame\" width=\"250px\" border=\"0\" \/><\/p>\n<h6>Fig 6. Prefabricated bezel setting<\/h6>\n<ul class=\"my-options\">\n<li><strong>Mirror setting.<\/strong> A dumb setting in which the stone is set in a polished rim that acts as a mirror. Such a setting helps to give the stone luster and sparkle.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f4f2f8ce.png\" alt=\"Fig. 7. Design and varieties of mirror frames\" width=\"400px\" border=\"0\" \/><\/p>\n<h6>Figure 7. Device and varieties of mirror frames<\/h6>\n<ul class=\"my-options\">\n<li><strong>A &#8220;corolla&#8221; setting.<\/strong> A setting in which the bezel is pressed to the stone in such a way that arcs are formed between the points of pressing.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f4fb3ab1.png\" alt=\"Figure 8. Frame-valve\" width=\"200px\" border=\"0\" \/><\/p>\n<h6>Fig. 8. Corolla frame<\/h6>\n<ul class=\"my-options\">\n<li><strong>Stone setting.<\/strong> A type of setting whose bezel is closed on the upper side by a frame soldered inside. The stone is inserted from below.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f4fef4c5.png\" alt=\"Figure 9. Stone setting\" width=\"200px\" border=\"0\" \/><\/p>\n<h6>Fig. 9. Stone frame<\/h6>\n<ul class=\"my-options\">\n<li><strong>Sectional setting.<\/strong> A frame for fixing several stones of rectangular shape next to each other.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f503ea9a.png\" alt=\"Figure 10. Sectional frame\" width=\"400px\" border=\"0\" \/><\/p>\n<h6>Fig. 10. Sectional setting<\/h6>\n<ul class=\"my-options\">\n<li><strong>Creton setting.<\/strong> A rim setting in which the stone is fixed with krapans in the form of strips protruding from the metal.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f50a1211.png\" alt=\"Figure 11. Creton frame\" width=\"400px\" border=\"0\" \/><\/p>\n<h6>Fig. 11. A cretonne setting<\/h6>\n<ul class=\"my-options\">\n<li><strong>Vaulted setting.<\/strong> A rim setting in which the stone is fixed by pressing at equal distances at certain points of the contour.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f5115aa0.jpeg\" alt=\"Figure 12. Vaulted frame\" width=\"400px\" border=\"0\" \/><\/p>\n<h6>Figure 12. Vaulted setting<\/h6>\n<ul class=\"my-options\">\n<li><strong>Semi-blind setting.<\/strong> A variant of the setting where the stone is fixed only on two opposite sides by &#8220;pieces&#8221; of the rim.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f51ba902.png\" alt=\"Fig. 13. Ring with semi-hollow setting\" width=\"400px\" border=\"0\" \/><\/p>\n<h6>Fig. 13. Ring with half-blind setting<\/h6>\n<ul class=\"my-options\">\n<li><strong>Open rim setting.<\/strong> It is considered to be &#8220;transitional&#8221; from rim to corners, as it has both a rim and mortise corners.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f523993a.png\" alt=\"Fig. 14. open bezel frame\" width=\"200px\" border=\"0\" \/><\/p>\n<h6>Fig. 14. open rimmed frame<\/h6>\n<h2>Krapan tack<\/h2>\n<p>Krapan settings are by far one of the most popular ways to secure a stone. The inlay is held in place by krapan feet. They encircle the stone along the edges, allowing sunlight to penetrate the stone from all sides. Depending on the type of setting, the number and shape of krapans can be different.<\/p>\n<p>The following types of krapan frames are distinguished:<\/p>\n<ul class=\"my-options\">\n<li><strong>Tiffany Setting tack.<\/strong> Classic setting in the form of a crown. The stone is raised above the ring and is fixed by 6 legs-craps. The Tiffany setting was patented in 1886 by Charles Lewis Tiffany and is still one of the most popular settings for diamond rings.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f528a371.png\" alt=\"Fig. 15: Ring with classic Tiffany setting\" width=\"400px\" border=\"0\" \/><\/p>\n<h6>Fig. 15: A ring with a classic Tiffany setting<\/h6>\n<ul class=\"my-options\">\n<li><strong>Carmesina setting.<\/strong> Designed for a large number of stones. The center stone is secured with a krappan or blind setting, while smaller stones from the surrounding crown are lapped and secured with additional setting corners.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f533166d.png\" alt=\"Figure 16. Varieties of carmesine frames\" width=\"600px\" border=\"0\" \/><\/p>\n<h6>Figure 16. Varieties of carmesinae frames<\/h6>\n<ul class=\"my-options\">\n<li><strong>The &#8220;bracket&#8221; tack.<\/strong> A modified Tiffany tack. It is distinguished by a smaller number of brackets &#8211; there are only 4 of them.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f53d03e9.png\" alt=\"Fig. 17: Ring with bracket fastener\" width=\"400px\" border=\"0\" \/><\/p>\n<h6>Fig. 17: A ring with a bracket fastener<\/h6>\n<ul class=\"my-options\">\n<li><strong>The &#8220;chaton&#8221; or &#8220;arcade&#8221; tack.<\/strong> A setting that combines the bezel and the crapan setting. It has a base in the form of a crown.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f548acaa.png\" alt=\"Fig. 18. The scheme of \" width=\"200px\" border=\"0\" \/><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f54cf973.png\" alt=\"Fig. 18. The scheme of \" width=\"200px\" border=\"0\" \/><\/p>\n<h6>Fig. 18: A diagram of the chaton tack and a pendant made with this technique.<\/h6>\n<h2>Corner tack<\/h2>\n<p>Corner setting is a method of fixing stones directly in the metal. In this case, the insert is fixed with the help of small posts (corners), which are formed from the main metal of the setting with a special tool. The jeweler selects a part of the metal in the form of a chip and presses it to the facets of the stone. At the same time, the upper part of the chip is rolled into a hemisphere by a corneur.<\/p>\n<p>The following types of corning frames are distinguished:<\/p>\n<ul class=\"my-options\">\n<li><strong>Classic corning setting.<\/strong> The stone is fixed with corners, with no additional treatment around the stone or only a cut gloss.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f5528d74.png\" alt=\"Fig. 19. Scheme of stone setting for corning setting\" width=\"200px\" border=\"0\" \/><\/p>\n<h6>Fig. 19: Schematic diagram of stone setting with corning setting<\/h6>\n<ul class=\"my-options\">\n<li><strong>Faden setting.<\/strong> The stone is fixed with two or four corners, with an undercut around the insert to form a rib. Separately, the faden track is a variant of the setting in which the band of stones is smoothly tapered.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f555660b.png\" alt=\"Fig. 20: Inlay of a stone in a fadeno setting\" width=\"400px\" border=\"0\" \/><\/p>\n<h6>Fig. 20: Inlay of a stone in a faden setting<\/h6>\n<ul class=\"my-options\">\n<li><strong>Faden-grizzled setting.<\/strong> The stone is fixed with two or four corners, with an undercut around the inlay, forming a rib, on which a grisant (a granular notch) is applied.<\/li>\n<li><strong>Kare fixing.<\/strong> A 4 or 12-piece cornicing, with faden or faden grisantes running between the stones to form squares. It is also possible that a square forms the construction of the stones. On the reverse side of the base there are holes for through light penetration.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f55e0c5c.jpeg\" alt=\"Fig. 21. Bracelet made in the kare technique\" width=\"400px\" border=\"0\" \/><\/p>\n<h6>Fig. 21. Bracelet made in the kare technique.<\/h6>\n<ul class=\"my-options\">\n<li><strong>Star tack.<\/strong> A type of corning setting where the stone is held by 4 corners and the inner contours of the cut are trimmed in the form of a four- or eight-pointed star or a square with concave sides.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f563d3a8.png\" alt=\"Fig. 22. Varieties of star frames\" width=\"400px\" border=\"0\" \/><\/p>\n<h6>Fig. 22: Varieties of star frames<\/h6>\n<ul class=\"my-options\">\n<li><strong>The &#8220;pav\u00e9&#8221; tack.<\/strong> A type of corning setting for fixing a placer of a large number of stones of small size. The inserts are planted close to each other and are fixed with corners. In a classic pave, the stones are placed strictly horizontally and vertically. If there is an offset by half a phase &#8211; it is a &#8220;tictus&#8221; variety of pave.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f56992eb.png\" alt=\"Fig. 23. Scheme of stones placement at classical and tictus pavement\" width=\"300px\" border=\"0\" \/><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f56ed7c0.png\" alt=\"Fig. 23. Scheme of stones placement at classical and tictus pavement\" width=\"300px\" border=\"0\" \/><\/p>\n<h6>Fig. 23: Scheme of stones placement in classic and tictus pavement<\/h6>\n<p>&#8220;Micro pave&#8221; implies the placement of a very large number of small inserts of the same size: the influx of metal holds three nearby stones at once, thanks to which it seems that the product consists of one large stone. A printed setting is a variation of the &#8220;tictus&#8221; pave. In it, the corners are soldered as pins rather than cut from metal.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f5757587.jpeg\" alt=\"Figure 24. Finished products in the pave technique\" width=\"300px\" border=\"0\" \/><\/p>\n<h6>Fig. 24. Finished pieces in the pave technique<\/h6>\n<h2>Special tacking<\/h2>\n<p>This group of fasteners unites quite a variety of types of frames that have also found their place in the jewelry industry.<\/p>\n<ul class=\"my-options\">\n<li><strong>Rail (channel) setting.<\/strong> Stones of the same size are placed close to each other in a rail bezel. There are no metal partitions between the stones. The stone is protected from the edges and light can pass through freely. The rail setting is used for transparent stones and is especially popular for creating diamond jewelry.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f57952b0.png\" alt=\"Fig. 25: Diagram and finished products in the channel tacking technique\" width=\"600px\" border=\"0\" \/><\/p>\n<h6>Fig. 25: Diagram and finished pieces using the channel setting technique.<\/h6>\n<ul class=\"my-options\">\n<li><strong>Bar setting.<\/strong> A variation of the rail setting, only in this case each stone is in its own channel. The metal plates protrude above the inlay and are clearly visible.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f587b0d3.png\" alt=\"Fig. 26: Diagram and finished products in the \" width=\"600px\" border=\"0\" \/><\/p>\n<h6>Fig. 26. Scheme and finished products in the &#8220;bar channel&#8221; setting technique<\/h6>\n<ul class=\"my-options\">\n<li><strong>Glue tack.<\/strong> A tack used mainly for semi-precious stones, pearls and other inserts. The insert is mounted in a small recess using a threaded pin and glue.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f59415b9.png\" alt=\"Figure 27. Scheme and ring in the glue tack technique\" width=\"400px\" border=\"0\" \/><\/p>\n<h6>Fig. 27. Scheme and ring in glue-setting technique<\/h6>\n<ul class=\"my-options\">\n<li><strong>Snap fastening (spring fastening).<\/strong> A method of fastening a stone to two anchor points inserted in grooves. The insert is open on all sides.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f59b2f7b.png\" alt=\"Figure 28. Rings in the spring tacking technique\" width=\"600px\" border=\"0\" \/><\/p>\n<h6>Figure 28. Rings in the spring setting technique<\/h6>\n<ul class=\"my-options\">\n<li><strong>Invisible setting.<\/strong> A rare and labor-intensive method of fixing stones, when the inserts are arranged in a grid-rim on the principle of stained glass. The facets are fitted tightly together, making them virtually invisible.<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"https:\/\/jewelleryinuae.com\/wp-content\/uploads\/2024\/10\/vidy-zakrepok-kamnej-v-juvelirnyh-izdelijah_66e16f5a6319f.png\" alt=\"Fig. 29. Jewelry made in the invisible setting technique\" width=\"600px\" border=\"0\" \/><\/p>\n<h6>Fig. 29. Jewelry made in the technique of invisible setting.<\/h6>\n<p>Despite the variety of setting types, it is safe to say that the most popular are the krappan ones. They provide a good view of the stone and a secure hold, as well as being easy to maintain.<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>The jewelry industry has a centuries-old history. During this time, craftsmen have invented a huge number of methods for setting stones in settings. As technology developed, they became more and more complicated. Today there are more than 50 methods of setting by types of settings. Let&#8217;s try to understand this variety. There are 4 main [&hellip;]<\/p>","protected":false},"author":2,"featured_media":7320,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[],"class_list":["post-6402","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diamonds","wp-sticky"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Types of stone settings in jewelry<\/title>\n<meta name=\"description\" content=\"Types of stone setting in jewelry: nesting, krapan, corning and special setting.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jewelleryinuae.com\/sk\/types-of-stone-settings-in-jewelry\/\" \/>\n<meta property=\"og:locale\" content=\"sk_SK\" \/>\n<meta property=\"og:type\" 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